It is now over 10 years ago that I was writing my master thesis in architecture. Already back then I worked as a motion designer and was interested in film. While trying to find a related topic, I ended up writing about how film architecture integrates the viewer in the film space.
As an example I analysed the movie GATTACA from Andrew Niccol and took around 1500 screenshots. When placing them in a grid, I liked the fact that you could get a feeling for the different shots, the colours used and a sense of timing.
All this got me started on thinking about different ways to represent movies and reveal even more detailed aspects of a films mood, its content or its pace.